I played an excellent evening of board games not too long ago, and I was prompted to dig up this short but interesting article about wargaming:
http://www.economist.com/news/united-states/21599016-understand-war-american-officials-are-playing-board-games-war-games
This is a practice that hearkens back to the elite of ancient India, where the future military leaders of the Gupta Empire honed their skills on a recognizable predecessor of modern (Western) chess. The game was adopted by the Persians, the Islamic caliphate, and made its way into Europe. There were other, similar games, such as Chinese chess and the Scandinavian hnefatafl (sometimes called "Viking chess"), but none that achieved the international cachet that chess enjoys (the former is a more regional pastime, and the latter is practically extinct). "The sport of kings," as chess was often called, became a status symbol across many civilizations; skill at the game required not only a modicum of natural talent, but also much training, which was usually only accessible to those with the leisure to pursue it. It was only natural that most chess masters of old belonged to the military elite and ruling classes.
Modern wargaming adheres to much the same logic. It is a common pastime for ordinary citizens, to be sure, but it uses the same set of skills that chess was meant to hone in princes and generals. It stands to reason that the Pentagon would commission its own wargames -- now we have only to wait for them to appear in stores. One wonders: has military strategy been, like many other educational topics, been democratized?
Showing posts with label Economist. Show all posts
Showing posts with label Economist. Show all posts
Tuesday, December 2, 2014
Wednesday, December 11, 2013
The Economist: The Dream of Interstellar Starships, or, the Hows and Whys of Technology
I'm in California, hanging out with a lot of techie folks whom I met at university. We've talked about things like Amazon drones and Elon Musk's proposed hyperloop... and naturally I was reminded of this article, which I saw in The Economist a month or two ago:
http://www.economist.com/news/science-and-technology/21588349-if-starships-are-ever-built-it-will-be-far-future-does-not-deter
Scientists have been contemplating interstellar travel for as long as science fiction authors have been writing about it (indeed, these two groups have a significant overlap). The above article catalogues some of the problems facing any space-adventuring hopefuls, most notably that of propulsion. It also asks the important question of why.
I was just discussing with a college friend the differences between the humanities and the sciences. It's engineers like them -- like the people I know who work at tech companies up and down the Bay -- who give us the means to achieve what could scarcely be imagined a few generations ago. The sciences answer the question of how. But for what purpose? To what end? Those are the questions the humanities hope to answer -- but we have too few people asking, and too few caring to ask.
There's always hype about the next great "disruptor" in the marketplace, the technology that no one ever imagines he needs, but which he soon finds indispensable (see Henry Ford and Steve Jobs, for example). But I can't help wondering: what kind of society do these visionaries hope to create with their revolutionary ideas? (There's Google's "Don't be evil," but that's hardly descriptive. It's not proscriptions, but rather prescriptions that build a new future.) Beyond the often nebulous concept of improving quality of life, how do inventors imagine their products shaping our society? (Interstellar travel, a la Star Trek, would irrevocably change the way we live and our understanding of our place in the universe.) As the article points out, "Because we can" is not a sufficient reason--it doesn't tell us why.
Some food for thought. I'll likely revisit this topic after my trip.
http://www.economist.com/news/science-and-technology/21588349-if-starships-are-ever-built-it-will-be-far-future-does-not-deter
Scientists have been contemplating interstellar travel for as long as science fiction authors have been writing about it (indeed, these two groups have a significant overlap). The above article catalogues some of the problems facing any space-adventuring hopefuls, most notably that of propulsion. It also asks the important question of why.
I was just discussing with a college friend the differences between the humanities and the sciences. It's engineers like them -- like the people I know who work at tech companies up and down the Bay -- who give us the means to achieve what could scarcely be imagined a few generations ago. The sciences answer the question of how. But for what purpose? To what end? Those are the questions the humanities hope to answer -- but we have too few people asking, and too few caring to ask.
There's always hype about the next great "disruptor" in the marketplace, the technology that no one ever imagines he needs, but which he soon finds indispensable (see Henry Ford and Steve Jobs, for example). But I can't help wondering: what kind of society do these visionaries hope to create with their revolutionary ideas? (There's Google's "Don't be evil," but that's hardly descriptive. It's not proscriptions, but rather prescriptions that build a new future.) Beyond the often nebulous concept of improving quality of life, how do inventors imagine their products shaping our society? (Interstellar travel, a la Star Trek, would irrevocably change the way we live and our understanding of our place in the universe.) As the article points out, "Because we can" is not a sufficient reason--it doesn't tell us why.
Some food for thought. I'll likely revisit this topic after my trip.
Monday, August 12, 2013
The Economist: On Pollution, China is Better and Worse Than We Think
I'm reading Jared Diamond's excellent book Collapse (you know it's important when it has its own Wikipedia page!), which devotes a whole section to the real sociopolitical dangers modern China faces as a result of environmental fragility and degradation. I rather serendipitously happened upon this article in The Economist, which discusses developments therein (both good and bad) since Collapse was published in 2005:
http://www.economist.com/news/briefing/21583245-china-worlds-worst-polluter-largest-investor-green-energy-its-rise-will-have
I subsequently ended up thinking a lot about the subject, so I thought I'd muse about it in prose. (Sometimes -- very occasionally -- I miss writing essays for college history classes...) This post is rather long, so I've put it below the cut:
http://www.economist.com/news/briefing/21583245-china-worlds-worst-polluter-largest-investor-green-energy-its-rise-will-have
I subsequently ended up thinking a lot about the subject, so I thought I'd muse about it in prose. (Sometimes -- very occasionally -- I miss writing essays for college history classes...) This post is rather long, so I've put it below the cut:
Friday, March 15, 2013
The Economist: Piero della Francesca at the Frick
I saw this article about the Piero della Francesca exhibition at the Frick, and went to see it over the weekend:
http://www.economist.com/news/books-and-arts/21571857-introducing-early-renaissance-master-american-audiences-divine-splendour
The show is well worth seeing, though I admit to being somewhat biased because I'm a fan of the Frick. It's one of those small, very specifically curated museums that a visitor can see in its entirety in just a few hours. It's worth visiting more than once if you live in New York, though -- there are always a few special installations (often pieces on loan from other countries, such as the above) -- and it's the sort of place one visits to soak in the ambiance. It has this beautiful central courtyard vaguely reminiscent of the villas of Classical Rome (covered, though), and a few surprisingly well-known works, including some lesser-known works of rather famous artists.
Anyhow, the Piero della Francesca exhibit. If you're at all interested in Renaissance art history, and you're in the City, go see it.
http://www.economist.com/news/books-and-arts/21571857-introducing-early-renaissance-master-american-audiences-divine-splendour
The show is well worth seeing, though I admit to being somewhat biased because I'm a fan of the Frick. It's one of those small, very specifically curated museums that a visitor can see in its entirety in just a few hours. It's worth visiting more than once if you live in New York, though -- there are always a few special installations (often pieces on loan from other countries, such as the above) -- and it's the sort of place one visits to soak in the ambiance. It has this beautiful central courtyard vaguely reminiscent of the villas of Classical Rome (covered, though), and a few surprisingly well-known works, including some lesser-known works of rather famous artists.
Anyhow, the Piero della Francesca exhibit. If you're at all interested in Renaissance art history, and you're in the City, go see it.
Labels:
art,
art history,
conservation,
Economist,
museum,
New York,
Renaissance
Monday, February 4, 2013
The Economist: Is the EU the Holy Roman Empire 2.0?
A thought-provoking historical perspective on the current economic and political situation in the EU:
http://www.economist.com/news/christmas/21568659-old-empire-offers-surprising-lessons-european-union-today-european-disunion-done
Several such entities have been attempted in Europe through its long history, from the classical Roman Empire to today's European Union. Though the continent derives some unity from its vaunted Greco-Roman roots, it contains a great deal of diversity in terms of language, ethnicity, culture -- all the necessary components of national identity. There are, in fact, a number of key differences (some articulated in the above article, some not) between the current EU and comparable historical entities (interestingly, they all begin with 'c'). Here's my (history buff's) perspective (it's longer than usual, so I've put it under the cut):
http://www.economist.com/news/christmas/21568659-old-empire-offers-surprising-lessons-european-union-today-european-disunion-done
Several such entities have been attempted in Europe through its long history, from the classical Roman Empire to today's European Union. Though the continent derives some unity from its vaunted Greco-Roman roots, it contains a great deal of diversity in terms of language, ethnicity, culture -- all the necessary components of national identity. There are, in fact, a number of key differences (some articulated in the above article, some not) between the current EU and comparable historical entities (interestingly, they all begin with 'c'). Here's my (history buff's) perspective (it's longer than usual, so I've put it under the cut):
Friday, October 21, 2011
The Economist: Customs and Immigration... from the Moon
Those astronauts had a great sense of humor (and so, too, does The Economist):
http://www.economist.com/blogs/gulliver/2011/10/space-travel
I think my favorite part is the declaration of health.
http://www.economist.com/blogs/gulliver/2011/10/space-travel
I think my favorite part is the declaration of health.
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