I haven't indulged in historical costuming for quite a while -- ever since I finished college, I haven't had much occasion to do so. Yesterday, however, I went with a contingent of friends to the Jazz Age Lawn Party on Governor's Island. The "party" is a twice-a-year festival celebrating the spirit of the 1920s in America, complete with a live jazz band, a dance floor, and merchants of all stripes -- from food vendors a cut above the ubiquitous to milliners, cobblers, and tailors. People dress up in their best Prohibition-era garb to picnic on the lawn. I had a lot of fun -- too much fun to take many pictures, considering it was definitely a photo-worthy event.
A photo of the jazz band and their vocalist, taken from the dance floor. You can see some of the garb, like that of the man wearing the beribboned hat and waistcoat, which was just excellent.
Two talented dancers (whom I don't know) performing on the dance floor. The Lawn Party was well-attended by people I recognize from swing dancing in New York. (Also, as is evident from the onlookers in the background, there were people who looked like tourists as well as people dressed for the occasion.)
This is the only picture of me that I have from the event, taken by my friend Mike. It doesn't afford the best view of the dress, which I found in a thrift shop for about $12. Aside from altering it for length, it required very little adjustment for the era; the pleats, the shimmery material, and the cut were all period-appropriate.
And this is a view of lower Manhattan from the Governor's Island ferry as we departed the festival. The skyline has changed in the past few years; the spire and glass facade of One World Trade still takes some getting used to. But this is still New York, still beautiful, and still home.
Showing posts with label costuming. Show all posts
Showing posts with label costuming. Show all posts
Sunday, June 15, 2014
Saturday, December 21, 2013
io9: Clever Cosplayers Sued for Carpet Costumes
This seems like a hilarious take on camouflage/your usual Con cosplay:
http://io9.com/cosplayers-threatened-with-legal-action-for-hotel-carpe-1366152096
I can't say I'm terribly surprised that the cosplayers were hit with a cease-and-desist... I imagine that the hotel was, copyright infringement aside, probably afraid that the next DragonCon would see an entire regiment of cosplayers crawling about on the floor like that! (A shame it won't happen, though -- it would have been fun to see!)
http://io9.com/cosplayers-threatened-with-legal-action-for-hotel-carpe-1366152096
I can't say I'm terribly surprised that the cosplayers were hit with a cease-and-desist... I imagine that the hotel was, copyright infringement aside, probably afraid that the next DragonCon would see an entire regiment of cosplayers crawling about on the floor like that! (A shame it won't happen, though -- it would have been fun to see!)
Saturday, September 21, 2013
The Renaissance Faire!
Last weekend, some friends and I went to the Renaissance Faire!
I've been to a few Faires over the years, both in California and here in New York. They're great fun -- cheesy as all hell, and you'll certainly be disappointed if you're a hard-core re-enactor or history buff who expects most everything to be historically accurate (that got me the first time, but I've learned to ignore it). There're all sorts of things to see -- human chess, birds of prey, dancing, acrobats, and even jousting.
Here I am at the archery range. The target is rather low to the ground. Full disclosure: the bow I'm using has a draw weight of only twenty pounds or so, and the fletching on the arrow is rather bent out of shape (not to mention that the entire kit is made of plastic!). I did ask for the heaviest bow they had on loan. (photo by Irina)
Here I am being kidnapped (and my bag being ransacked) by pirates! We are all too amused to look properly frightened/menacing. (photo by Irina)
And here is the castle and tourney field (click to enlarge). You can see the lions of England hanging from the castle walls, and the unicorn of Scotland above the stable doors. There was also a knight from France, and one from the Holy Roman Empire, though you can't see their heraldry in this shot. (photo by Deb and Terence)
I'm already looking forward to next year's Faire! Can't wait to break out the corset and skirts again. :-P
Saturday, June 15, 2013
Today
was wonderful and quintessentially New York -- the sort of day that makes me enormously thankful to live in such a vibrant, diverse city full of old friends and affable strangers. I don't mean to turn this blog into a series of diary entries -- that would seem rather self-indulgent -- but today was full of sights and sounds and people that I want to remember.
It began with brunch with a dear friend who is returning to the city after college, a relocation for which I'm grateful because I've missed her these few years. We go back a long time; we played together as children, went to the same elementary school and Chinese school, and have seen each other through our best and worst moments ever after.
We ate at a Greek place in our neighborhood in Queens; we've been coming here once or twice a year since high school. I had an excellent crêpe and we caught up on each other's lives -- we talked about work and friends and our grand ambitions in life. She's one of the few people with whom I discuss the latter topic; despite pursuing radically different fields, we have similarly coherent and somewhat lofty visions of the future. Kindred spirits, I'd say.
After brunch, I met up with a college friend in Manhattan. On the way there, I spotted a group of people in 1920s garb:
The snare drum (obscured in this photo by the man in black), the djembe, the bongos, and the bagpipes seem like a highly unlikely combination (especially the bagpipes!) but they work surprisingly well together. It was a perfect microcosm of the diversity and cooperative spirit of this extraordinary city. (My friend got their card, afterwards; apparently they have a website.)
We then got coffee with a third friend, another Stanford alumnus making his way in New York. We only had an hour, but it was an hour well-spent: a potent reminder that even in this bustling, hectic place, we make time for each other because it's the small moments as much as the grand gestures that comprise any human understanding.
We had dinner near his apartment in Greenwich Village with his roommate. We tried an American restaurant she suggested, and passed a merry hour or two getting to know each other. She's an architect from Hawai'i, so naturally I broached the question of whether she can play the ukulele! (Passably, was the answer.) My friend plays the guitar and also, to a lesser extent, the ukulele, so we're going to play for each other sometime. (I didn't know this about him until today.)
And then we went our separate ways, the two of them to catch a film in the Village, and I to the F train headed into Queens. I spent a quiet hour reading on the subway, with the rumble of the train and a dozen indistinct conversations in the background. In Queens, I stopped by my favorite neighborhood bakery to buy a cake for Father's Day tomorrow.
All in all, it was a lovely day in the City. Here's to more such days in the future.
It began with brunch with a dear friend who is returning to the city after college, a relocation for which I'm grateful because I've missed her these few years. We go back a long time; we played together as children, went to the same elementary school and Chinese school, and have seen each other through our best and worst moments ever after.
We ate at a Greek place in our neighborhood in Queens; we've been coming here once or twice a year since high school. I had an excellent crêpe and we caught up on each other's lives -- we talked about work and friends and our grand ambitions in life. She's one of the few people with whom I discuss the latter topic; despite pursuing radically different fields, we have similarly coherent and somewhat lofty visions of the future. Kindred spirits, I'd say.
After brunch, I met up with a college friend in Manhattan. On the way there, I spotted a group of people in 1920s garb:
There seem to be a number of Jazz Age-themed events going on this summer, even more so than usual (likely prompted by the recent The Great Gatsby film). I was reminded of the Gatsby party I attended in May -- exactly a month ago, as it happens -- which was an industry event hosted by Fitzgerald's publisher and included a costume contest. (I dressed up but didn't win; there were some truly spectacular costumes!)
So I got bubble tea in Chinatown with my friend (it seems like I have quite a few moments that involve bubble tea...). He's a Californian who moved to New York a few months ago, whom I didn't realize was in town until I bumped into him at an alumni event on Monday! He was a few years ahead of me in school and we'd lost touch for a while after he graduated, but he's now working at a start-up in Silicon Alley and lives downtown.
We met up with one of his friends in Central Park, who was hanging out on the lawn with a few other people we didn't know. It was a gathering of, at least from my perspective, friends and strangers connected to each other by a few tenuous degrees of separation. Though it seems unlikely that I'll encounter these people again -- and in a few months I would be hard-pressed to even recognize them on the street -- for an hour or so, we shared a blanket, a conversation, a patch of sunlight in the Park -- a tiny slice of New York.
At one point, there was a moment of silence -- a completely natural, contented lull in the conversation. We watched a group of small children chase each other around on the lawn, and soon observed that they were all following one small boy who held aloft some sort of styrofoam disc. I was distinctly reminded of The Lord of the Flies -- it was an uncanny analogue of the conch! I said as much to the others, and we had an entertaining few minutes trying to spot the Piggy of the group.
Our group splintered apart in twos and threes. My friend and I wandered through Central Park conversing and taking in the sights and sounds of summer. We stumbled upon a guitarist/vocalist duo performing in front of the lake (with a very professional sound system) and sat in the grass for a few songs. We found a large, fenced-off section of road where people were rollerskating in circles around a rock band which had set up in the middle of the walkway. There was a chalked-off section next to the band where people were dancing, and so we ended up swing-dancing to live music in the middle of a roller derby! (My friend is, incidentally, an excellent dancer; it's a shame we didn't overlap at school for longer.) We also happened upon trio of busking musicians consisting of two drummers and a bagpiper:
We then got coffee with a third friend, another Stanford alumnus making his way in New York. We only had an hour, but it was an hour well-spent: a potent reminder that even in this bustling, hectic place, we make time for each other because it's the small moments as much as the grand gestures that comprise any human understanding.
We had dinner near his apartment in Greenwich Village with his roommate. We tried an American restaurant she suggested, and passed a merry hour or two getting to know each other. She's an architect from Hawai'i, so naturally I broached the question of whether she can play the ukulele! (Passably, was the answer.) My friend plays the guitar and also, to a lesser extent, the ukulele, so we're going to play for each other sometime. (I didn't know this about him until today.)
And then we went our separate ways, the two of them to catch a film in the Village, and I to the F train headed into Queens. I spent a quiet hour reading on the subway, with the rumble of the train and a dozen indistinct conversations in the background. In Queens, I stopped by my favorite neighborhood bakery to buy a cake for Father's Day tomorrow.
All in all, it was a lovely day in the City. Here's to more such days in the future.
Friday, June 7, 2013
Cover-a-Week #18: "Colors of the Wind" from Pocahontas (Disney)
This one's a request:
http://youtu.be/zx_QrqvpvmM
I am reminded of my commencement ceremony almost exactly a year ago; a group of my friend dressed up as Disney princesses for Wacky Walk (a Stanford tradition where, instead of processing solemnly into the stadium, we capered in wearing costumes, carrying signs, holding balloons and props and silly string, serenaded by the infamous Stanford marching band). I wasn't Pocahontas -- I was Mulan, for which I sewed a costume. Ah, memories.
http://youtu.be/zx_QrqvpvmM
I am reminded of my commencement ceremony almost exactly a year ago; a group of my friend dressed up as Disney princesses for Wacky Walk (a Stanford tradition where, instead of processing solemnly into the stadium, we capered in wearing costumes, carrying signs, holding balloons and props and silly string, serenaded by the infamous Stanford marching band). I wasn't Pocahontas -- I was Mulan, for which I sewed a costume. Ah, memories.
Monday, April 2, 2012
The Ones Left Behind poster!
The promotional poster for The Ones Left Behind is out!
Simon's (the male lead) costume is composed mostly of pieces on loan from the drama department, but Muireann's (the female lead) is my design. Tommy (the composer) and I wandered around in a little Asian fabric shop in San Jose for a good hour, looking for the perfect fabric. It's made of this great satiny material -- it looks even better in person, and should show up wonderfully under the stage lights.
Anyhow, as it says on the poster, ticket reservations are open! They're free, so you should all come see the show!
Anyhow, as it says on the poster, ticket reservations are open! They're free, so you should all come see the show!
Wednesday, February 8, 2012
NYTimes: High Fashion in Silicon Valley
I'm a huge fan of brightly coloured, patterned, mismatching, or otherwise unusual socks. I wear them not only with sneakers, but also with sandals. Seems like I'd fit right in -- maybe there's a reason I go to Stanford. :)
http://www.nytimes.com/2012/02/05/fashion/in-silicon-valley-socks-make-the-tech-entrepreneur.html?hpw
To all of my techie friends -- I know what I'm getting you for Christmas next year!
http://www.nytimes.com/2012/02/05/fashion/in-silicon-valley-socks-make-the-tech-entrepreneur.html?hpw
To all of my techie friends -- I know what I'm getting you for Christmas next year!
Labels:
California,
costuming,
cute,
geek culture,
NYTimes,
Stanford,
technology
Tuesday, January 31, 2012
The Ones Left Behind, a Musical
I'm costume director for a musical one of my friends wrote, called The Ones Left Behind:
http://theonesleftbehind.com/
(There are some demo videos up, if you're curious.)
It's set in 1840s Nantucket, so lots of hoop skirts and waistcoats. Anyhow, we're raising money to cover the cost of the production, via Kickstarter:
http://www.kickstarter.com/projects/298015226/the-ones-left-behind
If you're at all interested in helping us make this happen, please consider pitching in -- even a dollar or two will help us meet our budget.
The show runs in Spring Quarter. I'll post more about it as it gets in full swing. :)
Edit: Nix the hoop skirts. They'll have petticoats, but hoops are probably out of reach. They are whaler's wives, after all.
http://theonesleftbehind.com/
(There are some demo videos up, if you're curious.)
It's set in 1840s Nantucket, so lots of hoop skirts and waistcoats. Anyhow, we're raising money to cover the cost of the production, via Kickstarter:
http://www.kickstarter.com/projects/298015226/the-ones-left-behind
If you're at all interested in helping us make this happen, please consider pitching in -- even a dollar or two will help us meet our budget.
The show runs in Spring Quarter. I'll post more about it as it gets in full swing. :)
Edit: Nix the hoop skirts. They'll have petticoats, but hoops are probably out of reach. They are whaler's wives, after all.
Thursday, December 29, 2011
Angry Birds = High Fashion?
Something for all the techies:
http://fashion.telegraph.co.uk/columns/belinda-white/TMG8943600/Wife-of-Rovio-chief-wears-Angry-Birds-dress-to-the-Finnish-Palace.html
I don't claim to be in any way fashion savvy, but even I'd hesitate to wear that particular dress for any occasion other than Hallowe'en (let alone to the Palace!).
http://fashion.telegraph.co.uk/columns/belinda-white/TMG8943600/Wife-of-Rovio-chief-wears-Angry-Birds-dress-to-the-Finnish-Palace.html
I don't claim to be in any way fashion savvy, but even I'd hesitate to wear that particular dress for any occasion other than Hallowe'en (let alone to the Palace!).
Tuesday, August 9, 2011
Microsoft Printing Dress: Wear What You Tweet
This is a really amazing bit of textile wizardry:
http://news.cnet.com/8301-17938_105-20089642-1/microsoft-printing-dress-wear-what-you-tweet/
It certainly looks much too impractical for everyday use (not to mention, I can't imagine that a lot of people would want to wear that on a day-to-day basis), but the concept is quite fascinating nonetheless. I can see it having niche appeal, mostly among technorati, and perhaps some specialized applications. Imagine being paid to wear scrolling advertisements, much like people nowadays are paid to advertise products on their websites, or their cars (like those VW beetle skins that show up now and again), or their storefronts. Maybe it'll be a futuristic version of the branding that is now ubiquitous on clothing and personal accessories. It reminds me a bit of Gibson's Pattern Recognition, actually, only in a less depressing way.
http://news.cnet.com/8301-17938_105-20089642-1/microsoft-printing-dress-wear-what-you-tweet/
It certainly looks much too impractical for everyday use (not to mention, I can't imagine that a lot of people would want to wear that on a day-to-day basis), but the concept is quite fascinating nonetheless. I can see it having niche appeal, mostly among technorati, and perhaps some specialized applications. Imagine being paid to wear scrolling advertisements, much like people nowadays are paid to advertise products on their websites, or their cars (like those VW beetle skins that show up now and again), or their storefronts. Maybe it'll be a futuristic version of the branding that is now ubiquitous on clothing and personal accessories. It reminds me a bit of Gibson's Pattern Recognition, actually, only in a less depressing way.
Wednesday, July 20, 2011
Wall Street Journal: How to Undress a Victorian Lady in Your Next Historical Romance
I was directed to this article by a number of people, but I think Nicole sent it first (no, it's not adult content -- it's The Wall Street Journal, after all):
http://online.wsj.com/article/ SB1000142405270230491110457644 3871615544338.html
I really appreciate the effort some authors expend to get the details right. Historical fiction has a lot in common with science fiction, where the technology ought to be theoretically plausible, and fantasy, where the imagined world ought to be internally consistent and realistic within its constraints -- which is why we have people like Asimov writing science fiction, people like Tolkien writing fantasy, and a bevy of actual historians writing historical fiction. It's hard to do these genres well if you don't have the background.
I have made my own period costumes, and sporadically partake in historical reenactment (and yes, I do own a corset). I do my research; Stanford's libraries are excellent for this purpose. And as I sometimes mention on this blog, I'm a history major -- but I'm still, compared to film industry costumers, an amateur. Inaccuracies in books, films, etc. bother me quite a bit, because I always find myself thinking, if I, as a hobbyist with limited resources, can get it right (or at least moreso than this film), why can't a professional crew? (Some of my friends apparently enjoy watching bad quasi-medieval action flicks with me just to watch me go off about all the things the studio got wrong. Not sure what that says about me -- or them, for that matter.)
Anyhow. A pet peeve of mine.
http://online.wsj.com/article/
I really appreciate the effort some authors expend to get the details right. Historical fiction has a lot in common with science fiction, where the technology ought to be theoretically plausible, and fantasy, where the imagined world ought to be internally consistent and realistic within its constraints -- which is why we have people like Asimov writing science fiction, people like Tolkien writing fantasy, and a bevy of actual historians writing historical fiction. It's hard to do these genres well if you don't have the background.
I have made my own period costumes, and sporadically partake in historical reenactment (and yes, I do own a corset). I do my research; Stanford's libraries are excellent for this purpose. And as I sometimes mention on this blog, I'm a history major -- but I'm still, compared to film industry costumers, an amateur. Inaccuracies in books, films, etc. bother me quite a bit, because I always find myself thinking, if I, as a hobbyist with limited resources, can get it right (or at least moreso than this film), why can't a professional crew? (Some of my friends apparently enjoy watching bad quasi-medieval action flicks with me just to watch me go off about all the things the studio got wrong. Not sure what that says about me -- or them, for that matter.)
Anyhow. A pet peeve of mine.
Friday, February 18, 2011
Viennese Ball, Part II (a.k.a. The Adventure of the Dress)
The second Viennese post, with a picture, as promised:
From left to right: Melanie, myself, Caroline, Julie, Caitlin (yes, the chromatic arrangement was intentional)
So, the Adventure of the Dress (sounds like a Sherlock Holmes story, doesn't it?):
I stayed at Julie's place for a few days at the beginning of Winter Break. (She lives very close to Stanford.) We decided, the day I went over to crash at my uncle's place, to go exploring in San Francisco. We also decided to be extremely girly, and go thrift shopping. Our last stop was at a Salvation Army store. I found a nice sweater, she found a pair of jeans, and then I wandered by the section with ballgowns and out of the corner of my eye, spotted something made of purple brocade.
See, Julie makes no secret of her love of the color purple. So, I pulled out this pretty ballgown and decided that she absolutely had to try it on. So I barge into her dressing room with gown in hand, and proclaim, "I have found you a dress for Viennese!"
She tries it on, but it's just a little too tight and a little too short, which is very sad news indeed. So she decides that I should try it on, and lo and behold, it fits like a glove. The conversation went something like this:
Julie: It fits like a glove! And it's eight bucks! You should get it!
Me: I don't know if I'm going to Viennese; I might not ever wear it.
Julie: You should go to Viennese! Everyone should go to Viennese at least once.
Me: I don't even have a date!
Julie: If I didn't already have a boyfriend, I'd go with you!
Me: Hmm... I could crossdress. I have 1800s black tie menswear in my closet somewhere. But I can't lead.
Julie: I can lead.
Me: It would be interesting and optically confusing for the other participants if you wore a dress and led, and I wore pants and followed.
Julie: But what about this dress? *holds up purple gown*
Me: Oh, right. That.
So I bought the dress. Then I showed it to my sister on Skype, and she said it looked like an apron. Which, given the neckline, was not a completely inaccurate assessment. It really looked a bit like a floor-length qipao mated with a painter's smock (smock top, qipao bottom). So I decided to alter the neckline into something that looked a bit more gown-like. The end result is shown above.
And then I found a date. I asked my friend Remington (or well, I asked him, rather indirectly, if he was planning on attending), and he said no, but then Caitlin and friends pestered him into going, and so he came and asked me, and I said yes. And so I went to Viennese Ball.
From left to right: Melanie, myself, Caroline, Julie, Caitlin (yes, the chromatic arrangement was intentional)
So, the Adventure of the Dress (sounds like a Sherlock Holmes story, doesn't it?):
I stayed at Julie's place for a few days at the beginning of Winter Break. (She lives very close to Stanford.) We decided, the day I went over to crash at my uncle's place, to go exploring in San Francisco. We also decided to be extremely girly, and go thrift shopping. Our last stop was at a Salvation Army store. I found a nice sweater, she found a pair of jeans, and then I wandered by the section with ballgowns and out of the corner of my eye, spotted something made of purple brocade.
See, Julie makes no secret of her love of the color purple. So, I pulled out this pretty ballgown and decided that she absolutely had to try it on. So I barge into her dressing room with gown in hand, and proclaim, "I have found you a dress for Viennese!"
She tries it on, but it's just a little too tight and a little too short, which is very sad news indeed. So she decides that I should try it on, and lo and behold, it fits like a glove. The conversation went something like this:
Julie: It fits like a glove! And it's eight bucks! You should get it!
Me: I don't know if I'm going to Viennese; I might not ever wear it.
Julie: You should go to Viennese! Everyone should go to Viennese at least once.
Me: I don't even have a date!
Julie: If I didn't already have a boyfriend, I'd go with you!
Me: Hmm... I could crossdress. I have 1800s black tie menswear in my closet somewhere. But I can't lead.
Julie: I can lead.
Me: It would be interesting and optically confusing for the other participants if you wore a dress and led, and I wore pants and followed.
Julie: But what about this dress? *holds up purple gown*
Me: Oh, right. That.
So I bought the dress. Then I showed it to my sister on Skype, and she said it looked like an apron. Which, given the neckline, was not a completely inaccurate assessment. It really looked a bit like a floor-length qipao mated with a painter's smock (smock top, qipao bottom). So I decided to alter the neckline into something that looked a bit more gown-like. The end result is shown above.
And then I found a date. I asked my friend Remington (or well, I asked him, rather indirectly, if he was planning on attending), and he said no, but then Caitlin and friends pestered him into going, and so he came and asked me, and I said yes. And so I went to Viennese Ball.
Saturday, February 12, 2011
Viennese Ball/Stanford Invitational 2011, i.e. My-Life-is-Crazy-But-Sometimes-Fun Week (and-a-Half)
Not to complain, but it has been brought to my attention that some of you either (a) think I've disappeared off the face of the earth, or (b) are rather concerned for my continued sanity and well-being. I thought I'd share with you this particular slice of my life.
Last weekend, as I've mentioned, I was at a debate tournament. I flew out of SFO on Thursday night, and got back to Stanford on Sunday morning. Seeing as I was home for Chinese New Year, I got absolutely no work done.
Last week, I had two midterms and two papers due. I also somehow got involved in coaching some freshman in an archaeology class for an in-class debate they're having next week.
Last night, I was at Viennese Ball. I took a quarter of Social Dance I last year, mostly because a lot of my friends seemed to enjoy it. I'm not crazy about it like some of them are (I know some really amazing dancers), but I'm competent enough, I'd say, to enjoy a ball. I might put up a picture or two eventually. The dress itself was an adventure.
This weekend, I'm helping run a debate tournament -- that is, the annual Stanford High School Invitational Debate Tournament. If you were ever on the national circuit in high school speech and debate, you know what I'm talking about. It's an influx of over a thousand people on our campus. We work from 7:00am-2:00am on Saturday and Sunday (that's right, am). And then I have a 10:00am class on Monday.
So. I'm very sorry that I haven't really been hanging out with people lately. It's not you, it's me. :)
Last weekend, as I've mentioned, I was at a debate tournament. I flew out of SFO on Thursday night, and got back to Stanford on Sunday morning. Seeing as I was home for Chinese New Year, I got absolutely no work done.
Last week, I had two midterms and two papers due. I also somehow got involved in coaching some freshman in an archaeology class for an in-class debate they're having next week.
Last night, I was at Viennese Ball. I took a quarter of Social Dance I last year, mostly because a lot of my friends seemed to enjoy it. I'm not crazy about it like some of them are (I know some really amazing dancers), but I'm competent enough, I'd say, to enjoy a ball. I might put up a picture or two eventually. The dress itself was an adventure.
This weekend, I'm helping run a debate tournament -- that is, the annual Stanford High School Invitational Debate Tournament. If you were ever on the national circuit in high school speech and debate, you know what I'm talking about. It's an influx of over a thousand people on our campus. We work from 7:00am-2:00am on Saturday and Sunday (that's right, am). And then I have a 10:00am class on Monday.
So. I'm very sorry that I haven't really been hanging out with people lately. It's not you, it's me. :)
Sunday, May 9, 2010
Regency Costuming: The Aftermath
I thought people might be interested in seeing the final product, so here are some pictures of me at the dance, courtesy of Lucas:
Yes, I know it's not accurate in that it's sleeveless. Puffy sleeves of the Regency persuasion are ridiculously annoying to make, not to mention that they're really difficult to render in such a way as to allow free movement of the shoulder. I decided that if some people were allowed to come as zombies, I was certainly allowed a bit of artistic license.
And here's a full body picture, with a shawl. You can see the ruffles along the bottom edge. (I did them by hand, and it took forever!) And the guy whose face you can see on the right is the social dance instructor here, Richard Powers. He's sort of a mini-celebrity on campus.
Yes, I know it's not accurate in that it's sleeveless. Puffy sleeves of the Regency persuasion are ridiculously annoying to make, not to mention that they're really difficult to render in such a way as to allow free movement of the shoulder. I decided that if some people were allowed to come as zombies, I was certainly allowed a bit of artistic license.
And here's a full body picture, with a shawl. You can see the ruffles along the bottom edge. (I did them by hand, and it took forever!) And the guy whose face you can see on the right is the social dance instructor here, Richard Powers. He's sort of a mini-celebrity on campus.
Tuesday, May 4, 2010
The Evolution of Women's Fashion through the Regency and Victorian Eras

http://www.pemberley.com/janeinfo/ppbrokil.html#ppoth
More costuming! The above diagram is just great; not only do you get surprisingly good detail at the given scale (click on it), you also get to compare the silhouettes by decade-ish. I'm going for somewhere between the second and third figures, myself. (Thank goodness it's a Regency ball. Some of the Victorian ones are insane; I don't know how I'd walk in one of those gigantic bustle/hobble skirt numbers, let alone dance!)
Labels:
art history,
Britain,
costuming,
craft,
dance,
history,
Jane Austen,
Regency,
Victoriana
Monday, May 3, 2010
An Introduction to Regency Dress
http://www.rakehell.com/article.php?id=387&Title=Introduction-To-Regency-Dress
A rather useful website: concise, has most of the relevant information, some background thrown in, and a good number of illustrations. All it really needs is a schematic -- but then again it's an introduction, not a how-to. There are enough pictures at different angles that I can reconstruct the average gown.
A rather useful website: concise, has most of the relevant information, some background thrown in, and a good number of illustrations. All it really needs is a schematic -- but then again it's an introduction, not a how-to. There are enough pictures at different angles that I can reconstruct the average gown.
The History of Opera Gloves
I'm making myself a Regency ballgown (for the Stanford Big Dance, which is the big social dance event of the quarter); the theme of the dance is "Pride and PrejuDance and Zombies". As you know (well, now you do) any Regency ballgown requires a pair of opera gloves. I ordered them online (Here's to hoping that they arrive in time!), since I don't pretend to know how to fit opera gloves, nor do I have the time to. Anyhow, here is an article on the history of said gloves:
http://www.operagloves.com/history.html
Expect a smattering of posts on Regency costuming in the coming days; costuming resources, you know.
http://www.operagloves.com/history.html
Expect a smattering of posts on Regency costuming in the coming days; costuming resources, you know.
Labels:
art history,
costuming,
craft,
dance,
history,
Jane Austen,
opera,
Regency,
Stanford,
Victoriana
Subscribe to:
Posts (Atom)









