Showing posts with label friends. Show all posts
Showing posts with label friends. Show all posts

Tuesday, February 3, 2015

Ski Trip!

I went on a ski trip this weekend with some of my oldest friends...


I'm on the far right in the blue helmet.

It was a blast. Nothing like spending quality time with people you love. And, of course, hurtling down a frozen mountain with strips of plastic strapped to your feet.

Friday, October 31, 2014

'Tis the Season... for Jack-o-Lanterns!

Earlier this month, a couple of my childhood friends and I made jack-o-lanterns! I hadn't carved a pumpkin in years and years, so I was a bit out of practice. Here are the finished products:


The first and second ones on the left are mine. I'm especially pleased with this one:


If you can't tell, it's a mini-Totoro! He's starting to wilt by now, but as you can see, he was cute when I first made him. :-)

Any Hallowe'en crafts in your homes?

Monday, January 27, 2014

Cover-a-Week #35: "Seasons of Love" from Rent

It's 2014, and I haven't posted fifty-two covers yet... so I figured I'd just keep making these videos! This one's belatedly holiday-themed...


http://youtu.be/eHQxDfC39BY

Also, given the previous post, I thought it rather appropriate. :-)

Thursday, January 23, 2014

La Bohème at the Met Opera!

A few friends and I got rush tickets to the Metropolitan Opera's production of La Bohème yesterday. I've never seen it live before (even though I have three different recordings on my computer). It was absolutely worth the experience; the show was spectacular. I can't believe what I've been missing. (Rodolfo's character, especially, tugs at my heartstrings.)

It's always interesting listening to music with lyrics in a language I don't know, because so much more of my understanding depends on the vocalists' interpretations of their parts. (The Met Opera has electronic panels on the back of each seat displaying translations of the lyrics, but I tried not to rely on that, because watching the staging of the production is a huge part of the experience.) You can always get a rudimentary understanding of what's going on, because there's enough overlap between the various Romance languages (though that leaves German lyrics nigh impossible), but the nuances are really up to the vocalists, in their facial and body language down to the minute inflections of their lines. For instance, in this production, the audience could tell in the first act the exact moment when Benoît loses control of the situation at Rodolfo's apartment -- you could tell by his posture and the vocals of the other characters how inebriated he was getting.

Another element I've noticed: it's hard for any stage performance to adequately develop character, because it's constrained to about two hours, and there's only so much of each character that the audience gets to see. I do like how -- other than the marketplace scene -- Puccini doesn't include any group or choral numbers. The opera focuses narrowly on the lives of the six central characters -- and really only three or four of them are developed at any depth; the small cast lends it a sense of intimacy that you don't often see in some of the larger, more traditionally theatrical operas in the repertoire. It would be a good choice for an indie opera house -- I'm not surprised that Rent (a very creative update on La Bohème where everyone dies of AIDS instead of tuberculosis) remained an Off-Broadway production despite its success.

Now I really must see Rent. I missed both the original production, which closed when I was in high school, and the revival, which went dark quite recently. (I have the soundtrack to that, as well, and I do like how Jonathan Larson includes so many nods to Puccini.) I've heard mixed reviews of the film, but one of these same friends is organizing a screening of the original production -- I'm super excited! :-)

Monday, December 16, 2013

Upgo.info, a Parody

Upgo is a project I did with some friends while in California last week. It was a Christmas present for a friend of ours who founded a startup, is an impressive Go player, and has an affinity for all things Japanese. The premise basically arose from someone's attempt to give me the quick-and-dirty description of this friend's startup -- I thought it sounded like The Hunger Games for software engineers. Ergo, we decided to film a parody startup video:


http://youtu.be/v_1Cj0jQ9IQ

We did it over the course of one night in Lucas's living room. The jokes are from all three of us, the video editing was Brett and Lucas, the bones of the script (and the Hunger Games references) was mostly me, the logo and font were Brett, and the website was Lucas.

We even made fake business cards as the physical souvenir (note: the friend for whom we were making the website/video is also named Lucas):



Definitely one of the most fun projects I've done in a while!

Thursday, November 28, 2013

A Turkey-less Asian Thanksgiving

I read in the news that the President pardoned a pair of turkeys who would otherwise have landed on the White House dinner table tonight. Well, in an Asian household, we don't really eat turkey to begin with (my mom doesn't like the taste, and neither do all the other Chinese moms). Instead, this is what our Thanksgiving feast looked like:


Hotpot! It was delicious. Here's a picture of the pot itself:


The things floating in the soup are fishballs (the white ones), meatballs (the brown ones) and tofu cubes. The submerged orange things are pumpkin cubes.

I never quite appreciated being home for the holidays until I found myself eating dining hall turkey in college over Thanksgiving. It wasn't too bad, especially since I had friends whose folks lived too far away for them to celebrate Thanksgiving at home, but there's nothing quite like being home with the family. And having tasty hotpot.

Happy Thanksgiving, everyone!

Sunday, October 27, 2013

Boston

I went to Boston this weekend to visit one of my oldest friends (we've known each other for most of our lives). It was wonderful to experience a different city with someone who knows the lay of the land. Here are some highlights of the weekend...

My trip apparently coincided with a major sporting event, so there were people wearing Boston gear all over the city. Someone decided to clothe the Public Garden's decorative brass ducks:


And this is what looks like a ballroom in the main branch of the Boston Public Library:


It's a stunning space, with wood panelling and frescoes running the entire length of the walls. I could imagine a medieval ball being held here.

This library could give the New York Public Library at Bryant Park a run for its money. It has an interior courtyard that looks like it was airlifted from Renaissance Europe:


I'm reminded of the courtyard of the Frick Museum. I could imagine Juliet leaning on the rail of the balcony on the left, beckoning to Romeo in the garden below. I've never been to Verona, but in my mind, it looks something like this.

Boston is also home to the world's only Curious George store! I didn't know this a few days ago.


This was taken on a bridge over a particularly scenic stretch of the Charles River:


I believe it was the Longfellow Bridge, which was named for the poet Henry Wadsworth Longfellow. He was one of the preeminent poets of his day; one of his most famous works, "Paul Revere's Ride," is a classic in the American canon. There is a plaque in his honor, and the poem is engraved on a stretch of the footpath on the bridge. I didn't think to get a photo of it at the time; I was too busy walking backwards reading the poem!

And that was Boston. It's such a quaint place (cobblestone streets! trolleys!) with so much history tucked into the fabric of the city.

Saturday, September 21, 2013

The Renaissance Faire!

Last weekend, some friends and I went to the Renaissance Faire!

I've been to a few Faires over the years, both in California and here in New York. They're great fun -- cheesy as all hell, and you'll certainly be disappointed if you're a hard-core re-enactor or history buff who expects most everything to be historically accurate (that got me the first time, but I've learned to ignore it). There're all sorts of things to see -- human chess, birds of prey, dancing, acrobats, and even jousting.


Here I am at the archery range. The target is rather low to the ground. Full disclosure: the bow I'm using has a draw weight of only twenty pounds or so, and the fletching on the arrow is rather bent out of shape (not to mention that the entire kit is made of plastic!). I did ask for the heaviest bow they had on loan. (photo by Irina)


Here I am being kidnapped (and my bag being ransacked) by pirates! We are all too amused to look properly frightened/menacing. (photo by Irina)


And here is the castle and tourney field (click to enlarge). You can see the lions of England hanging from the castle walls, and the unicorn of Scotland above the stable doors. There was also a knight from France, and one from the Holy Roman Empire, though you can't see their heraldry in this shot. (photo by Deb and Terence)

I'm already looking forward to next year's Faire! Can't wait to break out the corset and skirts again. :-P

Friday, July 26, 2013

New York in Pictures

The past two weekends, I had two of my friends from college stay with me for a few days each. We explored the city, of course. It's always refreshing to experience one's hometown from a non-New Yorker's perspective. Much like how one gains a different understanding of one's native tongue in teaching it to a student of the language, there are certain aspects of place that are easily overlooked if one is immersed in it every day, that

Julie and I went for a bit of a hike in Central Park. We happened upon this interestingly-shaped copse of trees, and I couldn't resist a photograph:


Naturally (no pun intended), I was reminded of one of my favorite Robert Frost poems, "The Road Not Taken." (A pity it's not autumn; it would have been a beautiful picture with the thicket melting red and yellow around her.)

I also took her to see Alice, one of my favourite statues in the Park:


One of these days, I will sit by (on?) the Alice statue and reread Alice's Adventures in Wonderland. (It's somewhat fitting, methinks, that there's a little girl (wearing purple, Julie's favorite color) climbing on the sculpture in the background.)

There were a few highlights that I ended up visiting twice in as many weeks, but they were absolutely worth seeing more than once. The High Line is, for instance, one of my favorite places in New York. This is probably the cleverest billboard along the path:


And yes, it's situated above one of the few street-level car parks in Manhattan (which appears surprisingly empty).

Lucas and I also spotted this intriguing bit of text writ large on a dark wall across from the High Line:


It's ironically (or perhaps intentionally) located next to a tavern/restaurant called The Half King (its sign is partially visible in the lower left).

I also went to the Met twice in as many weeks, because if you have out-of-town visitors, they absolutely must see the Met. We ended up in the musical instruments section twice as well, and Lucas and I had the same thought about this sculpture:


Air guitar! Given the style of the statue and the position of the hands, there was probably a lyre or a harp at some point. A disappointment for all of the Guitar Hero players out there, I'm sure.

We spotted this on the subway, and my first thought was naturally, "it's a policy tub!" (A debate thing. I did LD, PF, and college parli, mind you -- not CX.):


Julie had a bit of a laugh at my expense. I don't mind at all. :-)

I love having friends in from out of town. Come visit me more often!

Tuesday, June 25, 2013

Faulkner on Literature, Humanity, and Immortality

On Sunday, I had dinner with my friend Brett after an afternoon visit to the Met. I was telling him about an amazing, inspiring book talk I'd recently attended: it was a conversation between Adam Johnson, a Stanford English professor and this year's Pulitzer winner in fiction, and Fredrik Logevall, a Cornell history professor and the Pulitzer winner in nonfiction, moderated by their editor, David Ebershoff, of Random House.

Brett was reminded of (and sent me) this particular speech delivered by William Faulkner on the acceptance of his Nobel Prize in Literature in 1949:
http://www.nobelprize.org/nobel_prizes/literature/laureates/1949/faulkner-speech.html

It's brilliant and quite worth reading (and not very long) -- so do actually read it! Faulkner's claim is, essentially, that literature -- the written word, storytelling, art -- is humanity's way of achieving some semblance of immortality. He writes not of the genetic "immortality" perpetuated by our biology, of course; I think one of the prerequisites of sentience is a consciousness of meaning greater than base instinct. Rather, Faulkner speaks to our legacy as a species -- the ideas, the intellectual and creative achievements by which humanity might define itself.

Literature is one such vehicle. I would hesitate to call it a record -- that term falls too much in the realm of historiography (which is itself an ambitious and meaningful endeavour, of course) -- but perhaps one might consider literature the pared-down essence of what it means to be human. In books, in art, we see reflected not only the best (and the worst) -- but also the deepest, truest, and most beautiful aspects of ourselves. In literature, we are immortal -- not only the writer, and sometimes not the writer at all (Homer is the example that comes to mind) -- but we, as a sentient species, are captured, burnished, chased in silver -- forever.

Shakespeare expressed a similar sentiment centuries earlier:
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
(Sonnet 18, lines 13-14)

Sunday, June 16, 2013

Cover-a-Week #19: "Hotel California" by the Eagles

In honor of my friends who graduated today from various undergrad and graduate programs at Stanford:


http://youtu.be/cz5XiZooSMc

I miss you guys dearly, and can't wait to see those of you who are coming to New York this summer!

Saturday, June 15, 2013

Today

was wonderful and quintessentially New York -- the sort of day that makes me enormously thankful to live in such a vibrant, diverse city full of old friends and affable strangers. I don't mean to turn this blog into a series of diary entries -- that would seem rather self-indulgent -- but today was full of sights and sounds and people that I want to remember.

It began with brunch with a dear friend who is returning to the city after college, a relocation for which I'm grateful because I've missed her these few years. We go back a long time; we played together as children, went to the same elementary school and Chinese school, and have seen each other through our best and worst moments ever after.

We ate at a Greek place in our neighborhood in Queens; we've been coming here once or twice a year since high school. I had an excellent crêpe and we caught up on each other's lives -- we talked about work and friends and our grand ambitions in life. She's one of the few people with whom I discuss the latter topic; despite pursuing radically different fields, we have similarly coherent and somewhat lofty visions of the future. Kindred spirits, I'd say.

After brunch, I met up with a college friend in Manhattan. On the way there, I spotted a group of people in 1920s garb:


There seem to be a number of Jazz Age-themed events going on this summer, even more so than usual (likely prompted by the recent The Great Gatsby film). I was reminded of the Gatsby party I attended in May -- exactly a month ago, as it happens -- which was an industry event hosted by Fitzgerald's publisher and included a costume contest. (I dressed up but didn't win; there were some truly spectacular costumes!)

So I got bubble tea in Chinatown with my friend (it seems like I have quite a few moments that involve bubble tea...). He's a Californian who moved to New York a few months ago, whom I didn't realize was in town until I bumped into him at an alumni event on Monday! He was a few years ahead of me in school and we'd lost touch for a while after he graduated, but he's now working at a start-up in Silicon Alley and lives downtown. 

We met up with one of his friends in Central Park, who was hanging out on the lawn with a few other people we didn't know. It was a gathering of, at least from my perspective, friends and strangers connected to each other by a few tenuous degrees of separation. Though it seems unlikely that I'll encounter these people again -- and in a few months I would be hard-pressed to even recognize them on the street -- for an hour or so, we shared a blanket, a conversation, a patch of sunlight in the Park -- a tiny slice of New York.

At one point, there was a moment of silence -- a completely natural, contented lull in the conversation. We watched a group of small children chase each other around on the lawn, and soon observed that they were all following one small boy who held aloft some sort of styrofoam disc. I was distinctly reminded of The Lord of the Flies -- it was an uncanny analogue of the conch! I said as much to the others, and we had an entertaining few minutes trying to spot the Piggy of the group.

Our group splintered apart in twos and threes. My friend and I wandered through Central Park conversing and taking in the sights and sounds of summer. We stumbled upon a guitarist/vocalist duo performing in front of the lake (with a very professional sound system) and sat in the grass for a few songs. We found a large, fenced-off section of road where people were rollerskating in circles around a rock band which had set up in the middle of the walkway. There was a chalked-off section next to the band where people were dancing, and so we ended up swing-dancing to live music in the middle of a roller derby! (My friend is, incidentally, an excellent dancer; it's a shame we didn't overlap at school for longer.) We also happened upon trio of busking musicians consisting of two drummers and a bagpiper:


The snare drum (obscured in this photo by the man in black), the djembe, the bongos, and the bagpipes seem like a highly unlikely combination (especially the bagpipes!) but they work surprisingly well together. It was a perfect microcosm of the diversity and cooperative spirit of this extraordinary city. (My friend got their card, afterwards; apparently they have a website.)

We then got coffee with a third friend, another Stanford alumnus making his way in New York. We only had an hour, but it was an hour well-spent: a potent reminder that even in this bustling, hectic place, we make time for each other because it's the small moments as much as the grand gestures that comprise any human understanding.

We had dinner near his apartment in Greenwich Village with his roommate. We tried an American restaurant she suggested, and passed a merry hour or two getting to know each other. She's an architect from Hawai'i, so naturally I broached the question of whether she can play the ukulele! (Passably, was the answer.) My friend plays the guitar and also, to a lesser extent, the ukulele, so we're going to play for each other sometime. (I didn't know this about him until today.)

And then we went our separate ways, the two of them to catch a film in the Village, and I to the F train headed into Queens. I spent a quiet hour reading on the subway, with the rumble of the train and a dozen indistinct conversations in the background. In Queens, I stopped by my favorite neighborhood bakery to buy a cake for Father's Day tomorrow.

All in all, it was a lovely day in the City. Here's to more such days in the future.

Friday, June 7, 2013

Cover-a-Week #18: "Colors of the Wind" from Pocahontas (Disney)

This one's a request:


http://youtu.be/zx_QrqvpvmM

I am reminded of my commencement ceremony almost exactly a year ago; a group of my friend dressed up as Disney princesses for Wacky Walk (a Stanford tradition where, instead of processing solemnly into the stadium, we capered in wearing costumes, carrying signs, holding balloons and props and silly string, serenaded by the infamous Stanford marching band). I wasn't Pocahontas -- I was Mulan, for which I sewed a costume. Ah, memories.

Tuesday, June 4, 2013

Baby Blanket (Knitting Project)

I should have posted this several months ago (when it occurred)...

My god-sister recently had a baby (as I mentioned in this video), and in anticipation, I knitted her a blanket:

Before:

After:

It was originally going to be 8x8 (the father is a chess player) but the squares ended up too rectangular, so I nixed the last row.

Also, the baby is a girl, but these were the nicest colors at the store. Pink is too hetero-normative!

Sunday, May 26, 2013

Cover-a-Week #17: "Code Monkey" by Jonathan Coulton

Now with a new external microphone -- thanks, Lucas, Brett, Kat, and Julie!


http://youtu.be/rE7GX7m7nrk

Jonathan Coulton, in my books, is the new Tom Lehrer for the nerdy set. (Is that redundant? The original Tom Lehrer was a mathematician...)

I played this song about a year ago with the band at Stanford's Big Dance, as the tempo works for swing. (I can hardly believe it's been a year since I left California!) The social dance community had a tremendous overlap with the engineering (especially computer science) community, so it was quite well-received. :-)

Monday, April 8, 2013

Cover-a-Week #12: "I Will Follow You into the Dark" by Death Cab for Cutie

This one's an old favorite, and always makes me think of my loved ones:


http://youtu.be/mpUVpIJjJDg

The original is beautiful; Amanda Palmer also does a haunting rendition on the ukulele (it's a bit different from this one).

Sunday, December 2, 2012

Another November, Another Novel

I won! 


That is, I produced, according to the official NaNoWriMo word counter, 50,023 words of fiction in the month of November. And this is a story I intend to keep and work on, that I'm not sick of after a month of staring at it nonstop, so I'm quite pleased.

Doing NaNoWriMo at home was quite a different experience from doing it in college. For one, Thanksgiving threw off my writing schedule more than I anticipated. At Stanford, Thanksgiving break was actually quite productive in terms of wordcount; there were no classes, little (pressing) homework, and most of the other students went home -- leaving me a few solid days of writing (and hanging out with the friends left on campus, when I was feeling burnt out). At home, I suddenly had all of these social engagements for the holiday, which left me very little time to write. You can see from my stats that I was on target, writing about 1667 words per day for the first two weeks of November. There's this horrible flatline period right around the holiday when I didn't get in any writing. And, in a bout of insanity, I somehow managed to produce a little over 10,000 words in the last twenty-four hours of NaNo.

Now that I've got a lot of raw material (much of which I will likely end up binning), I need to do all of the research I didn't do before November rolled around. This might end up changing the story some -- who knows? I'm really looking forward to hunkering down and reading up on English history over the next few months.

And I did end up meeting some cool people through NaNo write-ins and such. Huzzah for new friends!

Sunday, November 18, 2012

A Dispatch from the Garret (a.k.a. NaNoWriMo 2012)

As most of you know -- and if you didn't before, you probably noticed the widget in the sidebar here -- I'm doing NaNoWriMo again this year.

This is my first time really doing NaNoWriMo in New York. My first two years of it were during high school, which I attended here in the City, but this is the first year in which I'm really participating in the community and its range of social activities (mostly meeting other writers and pounding away at our laptops in coffeeshops, which is actually social in a weird way). It's been a lot of fun -- I hope the community doesn't dissolve after November, which I'm told often happens. I hope to make some friends by the end of this.

I'm also quite excited about my novel. I'm trying something new this year. I've done a lot of fantasy novels of various stripes; this year's is historical fiction, which entails a lot of research. I didn't do nearly enough before the month started, as I realized by the second week or so; I expect to spend quite a bit of time the next few months reading up on the construction of early Gothic cathedrals, and British evacuees during the Blitzkrieg, and the inner workings of art museums. I can't wait! I've got this lovely old textbook on medieval English sculpture waiting on my desk.

And so, back to writing. (I'm already behind!)

Wednesday, August 1, 2012

Pies (cont'd)

I'd mentioned Midnight Pie in my last post, so I thought I'd add to the list of baked goods I'd posted back in March. Here are the pies that I've made in my last quarter or so of college:

Rhubarb apple banana walnut
Strawberry banana
Blueberry blackberry
Apple x3

The first one was a bit of an adventure. Julie and Stefan brought over some rhubarb that they'd procured, but it wasn't quite enough to fill a pie. So, we ransacked the fridge and pantry to find fruits to stuff the pie crust, and came up with a banana and one or two apples, and a little sack of walnuts. We knew that apples, bananas, and walnuts went well together, but I'd never even had rhubarb before, so I had little idea of how the end result would taste. It was quite good -- I'd definitely make it again!

Saturday, July 28, 2012

Thoughts on the Past Four Years, Part 2

It's rare, I think, to encounter a person who recalls her college years with no regrets whatsoever. (Of course, it is often said that mistakes are learning experiences, that what doesn't kill you makes you stronger, &c. I have no quarrel with such statements.) Most regrets, and certainly most of mine, are results of omission -- things I wish I'd done, or wish I'd done sooner, and didn't. I describe them here mostly to set my own thoughts in order, but also in hopes that it might prove instructive for readers, in any stage of life. To wit...

I wish I'd decided on the humanities earlier. I sometimes tell people that I "wasted" four quarters (that's about 1.3 academic years, for those of you more familiar with semester schools) on pre-med, that I wish I hadn't waited until the middle of my sophomore year to switch to a history major. I put the verb "waste" in quotation marks because I think, of course, that medicine as a profession or a field of study is itself eminently worthwhile -- and in general, science for its own sake is a wonderful thing. I only mean it in the most pragmatic of terms for myself; I had a finite number of quarters at university, and the sooner I chose my major(s), the sooner I could begin immersing myself in the classes and community that comes with them. There were quite a few humanities classes that I wish I could have taken, but I never had the time for, because I had to be very careful with intra-major distribution requirements and such (seeing as I knew it would be a very close call trying to essentially complete two majors in fewer than three years). Declaring my major as late in the game as I did -- I declared my first major literally a week before the absolute final deadline year -- led to a few other regrets...

I wish I'd made more friends in the humanities. My friend circle(s), in university, were populated largely by engineers and other techies. A majority of them are computer scientists, with somewhat overlapping swaths of mathematicians, physicists, and mechanical engineers. I was -- only somewhat jokingly, methinks -- designated the group's "token fuzzy." This was largely due to circumstance. Because I had been taking a lot of math and science as a freshman, I ended up meeting most of my friends in those classes, and through them meeting more engineers, and so on. (Another common source of college friends is one's freshman dorm, but the majority of my dorm enjoyed alcohol, parties in loud and dark rooms, and other social pursuits that didn't interest me.) By the time I'd "turned fuzzy" in the middle of sophomore year, most of my classmates already had established friend groups, as did I.

It's not that I wish I had a different group of friends, or that I would somehow "trade" them for others, if I could -- I am very glad of the friends I have made. It's merely that it got tiring, or isolating, sometimes, to be with people who talked mostly about the intricacies of computer science and such over dinner -- which would often fly right over my head, because my friends are incredible at what they do, and even if they weren't, I would have been hard-pressed tell. I occasionally got lonely for people who appreciated the beauty of not only well-written proofs and elegant code, but also particular turns of phrase or feats of argumentative brilliance. It sometimes seemed that we didn't have enough in common for me to converse with them as meaningfully as they did amongst themselves; I sometimes feared that I didn't -- couldn't -- know them in the way that they knew each other, and that perhaps the reverse was true as well. ("Sometimes" is the operative word, here; my social experience was by and large a happy one.)

I wish I'd stepped down my involvement in the debate team earlier. To be clear -- I really enjoy debate. As anyone who knows me can attest, I can be argumentative at the drop of a hat, often for the sheer fun of it. That's why I stayed with the team for so long. I'd been considering -- and waffling about -- quitting in part because I wasn't sure where else I could get the same quality of discussion of, and intellectual engagement with, the type of topics that debaters so love. (See the above point about divergent interests. Techies by and large don't consider political/legal theory good dinner conversation.) But by the end of junior year, I was quite burnt out. Travelling for debate tournaments meant that I was off-campus from Thursday evening to Sunday morning two or three times a quarter, which meant that I often forwent fun weekend activities (like dancing and films) with my largely non-debating friends. I'd been a debater since high school, and I'd felt the onset of debate fatigue since the beginning of junior year. I hung in there for another year more out of habit and sunk-cost syndrome (which is a psychological factor, as any economist can tell you) than out of true passion. In retrospect, if I hadn't done debate in college, or even if I had quit earlier, I would have been forced (by my own restlessness) to find other activities, and might have ended up involved in several that I rather wish I'd done more of while I had the chance. (Of course, debate wasn't the only reason for my not doing some of the things I wish I did; see below...)

I wish I'd been more involved in the following activities:

(a) Wushu: For the uninitiated, Wushu is a Chinese martial art that, as practiced today, is a sport and an art form, much like karate, capoeira, or gymnastics. I started going to practices the beginning of my freshman year, having had some training in gymnastics when I was small, and some competitive swimming when I was slightly less small, and not much idea of what I was getting myself into, other than that I'd gone to a demonstration and it looked really cool. (Plus, weapons! Eventually. Weapons are generally a plus for me.)

The problem was, practices were twice a week in the evenings, with one practice falling on Friday. Because I would have to fly to debate tournaments on Thursday evenings, I would have to miss practices -- and as a complete newcomer to the activity where quite a few people had been doing it for years, skipping practice wasn't a good idea. It came to the point where I had to choose between debate and Wushu. As evidenced, I chose debate. (If I had chosen Wushu instead, my college lifestyle would undoubtedly have been healthier, come to think of it.)

(b) Social dance: I've written a few blog posts about this, I think. My friend group started dancing around the end of my freshman year and the beginning of sophomore year. I was one of the last people to get involved, because I was a bit shy about it (not in a gender-normative way, mind you -- social dance is less old-fashioned than one might expect). This in itself became a sticking point for me, as it quickly became apparent at dance events that I was somewhat less experienced, and I was always a tad concerned that my friends might get bored dancing with me.

Again, one of the problems that appeared was that there are weekly dance events (Friday Night Waltz), which, as the name suggests, occur on Friday nights. To be fair, the issue wasn't solely debate -- I often had assignments due on Fridays that I, for one reason or another, found myself finishing on Friday evenings, right before the deadline (yes, probably my own fault, I know). I tried to counteract the inevitable deadly silence of working in my room while my friends were out dancing with Midnight Pie, wherein I started baking an hour or two before midnight and invited everyone over for post-waltz pie. It was conceptually lovely, but practically dicey, because my dancer friends had their own conflicting ritual, namely post-waltz boba or burgers. Having leftover pie at the end of the night is not actually a good thing -- the first thought that comes to mind isn't "breakfast tomorrow will be awesome" so much as "it would have been nice if I'd had enough people over to finish the pie."

Ultimately, I think I enjoyed the dance community a little more than I did the actual activity itself (though I do like dancing quite a bit!). It's one of the things I'll miss most about Stanford, and like the below, I wish I'd had more time with it.

(c) Musical theatre: During my senior year, I was costume director for a musical that one of my friends co-wrote. I'd been recruited on the basis of a Tudor gown I'd made in junior year; my friend had seen me wearing it in the hallway of our dorm, and he immediately offered me the position. (Well, the real story is funnier: he wasn't quite ready to recruit his production crew at that point, so he said to me very excitedly, "Remind me to ask you something in six months!" without giving any indication of what it was he'd intended to ask. I knew about the musical at that point, but didn't quite connect the dots until he actually offered me the position months later.)

Anyhow, a number of people involved in the show asked my why I didn't try out -- these included one of the co-writers, some of the cast and crew, and a few of the adults working in the theatre housing the production. See, I have the occasional habit (an oxymoron?) of humming or singing as I sew and do other such repetitive tasks. Ergo, I was mistaken for a cast member several times, mostly while sitting on the edge of the stage before dress rehearsals, stitching under the stage lights and singing to myself. I ended up giving different reasons to different people; I alternately explained that (1) I had my hands full with costuming, and didn't think I could feasibly be in both cast and crew, (2) I didn't have stage-acting experience, (3) the musical is set in 1840s Nantucket and I would be visually unconvincing as a whaler's wife. (These appear to be listed in order of decreasing validity. Especially the last -- it's an excuse, and I know it.) But the question got me thinking -- I've been interested in musical theatre for most of my life. If I'd come to it earlier -- before I'd filled my extracurricular slate, at a time when I could reasonably expect to be involved in the community for two or three years -- would I have done it? Would my undergraduate years have been richer for it?

(d) Music: Speaking of music, as I'd mentioned months earlier, I got a ukulele over winter break, whereupon I basically spent the rest of my holiday learning to play it. Seeing as I sing, write poetry, and newly learned the ukulele, the next logical step was to start writing songs. I finished my first not long after I returned to school, and then wrote another, and another. Sometime soon thereafter, two of my friends were DJing a dance event and, seeing as they knew quite a few musicians, decided that it would be fun to have some live music. When we were rehearsing, I played one of the songs I wrote for some of these musician-friends, who thought it would be fun to play at the dance. (I didn't actually tell them I'd written it until halfway through the rehearsal.) That was the beginning.

We started meeting up semi-regularly to jam. There were also gigs -- I performed solo a few times at English department events and arts events around campus, and with the group (its number and composition changed a few times in the months we were active). We played with a volunteer organization a few times. Our largest audience was at Big Dance, which is, as the name implies, the major social dance event occurring annually in the spring; we played a half-hour set for a hundred or so dancers. Then one of our other friend approached us with his class project -- he wanted to record some of the songs I'd written, in a studio. And so we did.

This thing, this music thing -- which started out as a few lyrics and tunes on my uke, in my bedroom -- became so much more than I'd expected. I wish I'd had more time to play with this group, to actually get together for a composition session, to put a few years into it while I was in college. It feels like we got nipped in the bud by graduation, right as things were just getting going. It'll be much harder to start over in a "new" city, outside of a college environment, without the people I'd been playing with these few months.

I'll devote a separate post to music and songwriting and ukuleles one of these days. I have some videos from Big Dance, some audio tracks (as I'd mentioned). But this post is long enough as is, so I'll leave it here for now.